观点艺术

Contemporary art is judged by its price tag not by aesthetics

Among the many records set at Christie’s astonishing $852.9m contemporary art sale in New York last week, one has so far gone strangely unreported; the highest price ever paid for a urinal.

Robert Gober’s 1988 installation Three Urinals sold for $3.52m, which works out at just over $1m per urinal. They do not actually work – that is, they only take the proverbial in a figurative sense. But this is a good thing, for according to Christie’s their “smooth contours invite the viewer’s touch”, and hand sanitiser was not included in the price.

That a urinal by an artist you have probably never heard of is worth more than a masterpiece by one you have (a Gober urinal will buy you a fine Rubens) is down to the unique way in which the contemporary art world functions. There, the merit of works such as Gober’s is not judged in any traditional and objective artistic sense, but by value.

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