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AI meets Old Masters in the fight to authenticate paintings

Machine learning can be the difference between a charming picture and a masterpiece worth millions
AI programs differ over whether these are both by Raphael. Left: detail from ‘The Sistine Madonna’ (c1512) by Raphael. Right: the ‘de Brécy Tondo’, which some credit to Raphael

Artificial intelligence is making its mark on the art world, encroaching even on fustier areas such as the Old Masters trade. AI will, for instance, be a talking point during the Tefaf art and antiques fair in Maastricht next week: Carina Popovici, chief executive of the Swiss-based AI company Art Recognition, will reveal at the accompanying Art Business Conference how it recently attributed a painting to a Renaissance German artist.

Art Recognition, which was founded five years ago, has an AI system which, it says, “offers a precise and objective authenticity evaluation of an artwork”. On its website, the company says it has completed more than 500 authenticity evaluations, verifying contested works such as an 1889 self-portrait by Vincent van Gogh at the National Museum in Oslo.

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